Gabrielle Pinky Rings Triptych - Eli Koshi
€2,600.00
€2,600.00
per item
Gabrielle — Pinky Rings Triptych
(from the GLUESTALT collection)
Details:
- Pinky Rings Triptych
- 18k yellow gold
- Year 2025
- Custom-made
- Shipping not Included
- Price is for the three rings
Artist Contact Information:
Instagram: @elikoshi
Photo credits:
Photo: @mimosastudiosmtl
Model: @_ceejgets
MUA: @glambygaelle
Gabrielle is a triptych of pinky rings exploring identity as a layered and evolving construct. Conceived as a coherent composition, the three rings unfold a visual and symbolic rhythm, articulating different parts of the self and creating a subtle dialogue around presence, intimacy, and self-recognition.
The piece belongs to GLUESTALT, a collection whose name merges "glue" and "Gestalt". It refers to the idea that wholeness emerges from the relationship between parts — that meaning arises through connection rather than completion.
Developed through an experimental process using hot glue as a sculptural medium and later translated into metal through lost-wax casting, the collection embraces spontaneity, intuition, and material tension. The organic variations remain visible, preserving traces of process and becoming.
Worn on the pinky — a finger historically associated with individuality, discretion, and quiet assertion — Gabrielle marks a deliberate point of presence. Form becomes a quiet extension of the self.
Within the context of Love, Actually — A jewellery love story, Gabrielle speaks of love not as seduction or completion, but as a form of recognition and an act of self-directed acknowledgment: the quiet decision to embrace oneself fully, without performance or disconnection. The triptych reflects the idea that love, like identity, is understood not as something to be unified or resolved, but as a constellation of parts that, together, make sense.
The piece belongs to GLUESTALT, a collection whose name merges "glue" and "Gestalt". It refers to the idea that wholeness emerges from the relationship between parts — that meaning arises through connection rather than completion.
Developed through an experimental process using hot glue as a sculptural medium and later translated into metal through lost-wax casting, the collection embraces spontaneity, intuition, and material tension. The organic variations remain visible, preserving traces of process and becoming.
Worn on the pinky — a finger historically associated with individuality, discretion, and quiet assertion — Gabrielle marks a deliberate point of presence. Form becomes a quiet extension of the self.
Within the context of Love, Actually — A jewellery love story, Gabrielle speaks of love not as seduction or completion, but as a form of recognition and an act of self-directed acknowledgment: the quiet decision to embrace oneself fully, without performance or disconnection. The triptych reflects the idea that love, like identity, is understood not as something to be unified or resolved, but as a constellation of parts that, together, make sense.